Andrea Jackson Andrea Jackson

Drea's Take: Behind the Music

Genius is challenging the landscape of music in digital media and here's why I think you should pay attention...

My heart is so full for the first time 2018 GRAMMY nominees, especially those who I have had my eye on for a while! There is so much more to music than the final package and for artists who risked it all for the dream, the recognition of their influence on a prestigious stage is beyond triumphant. Artistry is often underrated and thanks to platforms like Genius, artists, directors, and producers alike have a space to share the meaning and knowledge behind the music.

If you pay attention to my music diary/blog you’ll notice a large portion of the digital content I share in my gallery is produced by Genius (formerly, Rap Genius). Although they are more widely known for their collaborative music-lyrics annotation platform, their digital content sector has seen exponential growth since 2016. In fact, I am sure you have noticed other publishers (Complex, Revolt, Vice, All Def Digital, etc.) rapidly increasing their video presence with provoking, witty, and organic series online as well. With traditional radio and TV slowly phasing out, the consumption of media is shifting to the digital space on platforms like YouTube, Spotify, Netflix, Hulu, etc. due to convenience and the fact that the data spawned from engagement on these platforms is powerful for advertisers looking to reach audiences with the highest propensity to consume their brand. Revenue for Genius, in particular, is driven by brand partnerships that feature custom video, events, or sponsorship of an existing [video] series or event. Adidas, Atari, and Nike are some of their clients to name a few.

I personally love Genius' content because it is challenging the landscape of music in digital media to be more educational and insightful about the creative process by focusing on the meaning and knowledge behind the music. So much of what we see in entertainment is the end result, the glitz and glamour, the final presentation, or the controversial publicity. But rarely do we see compelling content dedicated to highlighting the creative nuances, trends, and behavior generated from music & popular culture. Social media has granted us exposure to our favorite entertainers on a personal level and natural curiosity forms. We see pics of Nicki BTS on the set of her new video, snaps of Metro in the studio with Thug, and a video of SZA teasing us with unreleased lyrics for Love Galore but we never know what conversations are going on in those rooms or the little anecdotes that led to the creative inspirations. If you've ever wanted a cure for that curiosity then you need to pay attention to Genius' YouTube series. As of October, their channel reached 1.7 million subscribers and 30.8 million video views according to Tubular Labs.

A lot of stuff we’re doing from a video perspective is striving to be a companion to the music you’re listening to. Right after you listen to a song, we can help you go deeper
— Brendan Frederick, Director of Content @ Genius

Genius' series "Deconstructed" is my favorite of theirs because the producer walks viewers through each step of the beat making process. Every piece of software, every sound manipulation, every instrument, every edit, every element, every single layer of the song. For someone like me who has always been curious about that side of music my mind is blown every time, but for those who have not been exposed to the machinery behind sound then you will be pleasantly enlightened and gain a broader appreciation for the music you hear day to day.

I am not going to explain all of the series here because this is supposed to be about how I feel but trust me. I learned something new after every video whether it was "Verified", lyrics annotation by the artist, or "Genius News", their version of what you should know about the meaning behind the music. In 2018 Genius will be shifting even more of their focus to the video side of their brand by expanding their team internally and producing more shows and venturing into creating and selling longer-form content for streaming services and TV.  The Chief Strategy Officer, Ben Gross, stated “We’re building video franchises; we have not been in the business of creating a bunch of random videos that catch on and get a ton of views. We’re building franchise shows that people associate with us and come back to us to watch. That’s why there has been inbound interest [from content buyers], but also internally, about how we can move that effort forward and bring Genius to more platforms — especially with longer-form content.”

It seems as if the bulk of Genius' mission stems from the insight that if someone is interested enough to search for or annotate the lyrics of a song then they will probably be enlightened by inspiration behind the song or the artists behind the music. Growing up, the TV was the premiere stage for so many of our favorite artists but, with limitations in programming, we only got to see the final package. Technology has broken down that barrier and now we have an endless archive of content that can be as abstract as we want. I love Genius’ mission and I want more people to explore their content because you can't tell what goes on behind the scenes from simply listening. Music demands more skill and creative intellect than you can imagine. I guess I am saying this because it is exactly what I ended up realizing and the main reason I am so passionate about inspiring others to use their ear more critically.

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Andrea Jackson Andrea Jackson

Drea Vibes Confession: "A Subway in Harlem"

In my first Drea Vibes Confession, I open up about the creative process behind interpreting photography and selecting music to accompany Spencer Charles' latest project, "A Subway in Harlem". Although the project wont be rolling out until Winter 2018 you can check out the playlist I curated now on Apple Music

The meaning behind “A Subway In Harlem” is simply the beauty of urban black culture.“Harlem” is known as one of the epicenters of black culture. From the Harlem Renaissance to the Apollo Theatre, Harlem has always been a representation of black creativity. In this project, Harlem is somewhat of a metaphor for blackness. The “Subway” reference in part comes from Hip Hop culture. Aside of the title coming from a Lil Wayne lyric, the subway has always been a significant part of hip hop culture since its conception. Also, the subway represents a journey; the subway is a mode of transportation in urban cities. Here, its a journey through black creativity. This project pulls inspiration from Jazz, Hip Hop, current events, iconic figures in black history, pop culture, black love, album covers from 70s soul and funk artist, and notable black movies.

 

To learn more about Spencer Charles' latest project sign up for the email list here.

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Andrea Jackson Andrea Jackson

Drea's Take: Insecure

My take on the strategy behind the music selections of the most pivotal moments of Season 2

It's no secret that Insecure's fresh taste in music has become just as popular as its awkwardly hilarious yet relatable plot. With appearances from artists SZA, J.I.D., Kari Faux, Liekeli47, Lion Babe, and so many other unique emerging artists it is safe to say that Issa and crew, including series composer Raphael Saadiq and music supervisor Kier Lehman, are putting on for the culture. While watching the series I picked up on a number of insights and connotations so here’s my take on the strategy behind the music selections of the most pivotal moments of Season 2.

Episode 1: Hella Great

- Alike the Season 1 opening montage with K Dot’s "Alright", Season 2 opens with NxWorries' "Scared Money" ft. ANDERSAN Paak, setting the LA vibes and feels with a prominent artist native to LA

 - The title card sets the tone of the season with Lion Babe's "Hit The Ceiling" which happens to be about hustling to keep your shit together through pain

"I'ma hit the ceiling, you hear me?
I won't take my spirit, I'm living
Get ready for the healing, the healing
Tell me if you feel it, here we go, oh"

Given Issa's series of unfortunate events and a self inflicted heartbreak, she has quite a lot to power through

- Of course Lawrence's first appearance of the season is of him banging Tasha to Goldlink's "Crew"

Homie a free agent for the first time in years so its safe to say...

“He feel like he the man”

- Lawrence's confused ass pops up on Issa after her party and they have sex, then he just dips

Rightfully, SZA's "Love Galore" narrates his entrance

“Why you bother me when you know you don’t want me” faceass

- E2 Dives into the the independence of both Issa and Lawrence as she struggles to make sense of their random hookup and he continues selling Tasha dreams

- Issa is stuck af on him and irresistibly stalks the rebound Tasha on social media and even at her job

DaniLeigh's "Lurkin" couldn't be a better selection for the moment she finds Tasha's Instagram

"Why you always lurkin'? Why you always lurkin'?
Why you always lurkin' on my Instagram page? // All on her timeline-line, all on her timeline-line
All on her time, all on her time, all on her timeline-line"

- Poor Issa is going through it all episode and SZA’s "Supermodel" speaks directly to her situation

She's insecure, her ex has "moved on", etc 

"Heard you got some new homies
Got some new hobbies
Even a new hoe too
Maybe she can come help you
Maybe she can come lick you after we're done
What's done is done"

- E3 is all about Issa’s sexual frustration and her "hoetation"

- Issa insists that Molly teach her how to hoe and they go out to the club too find some new recruits

At the bar scene Jidenna’s "Trampoline" plays which is an obvious play on the word "tramp"

'The lady ain’t a tramp
Just cuz she bounce it up and down like a trampoline // Oh no the lady ain’t a tramp
She just be knowing what she wanting"

- Lawrence attends Tasha’s family BBQ

"Let’s Play House" by Tha Dogg Pound narrates the Lawrence's entire entrance as he begins to realize this wasn't what he signed up for. He got in too deep with a chick he wasn't trying to build a bond with. Playin' house, sellin' dreams. #Fuckboy

- Issa gets some new D for the first time since Lawrence's pop up

Jacquees' "BED" conveniently plays as it goes down

- E4 supporting characters also venture down new paths

 - Lawrence gets pulled over by the police in a racially motivated stop

He is initially bumpin' hip hop, particularly YRF's "A.T.M. (I'm Livin)" but then switches to classical upon interacting with the officer

Ironically enough this is the scene right before his infamous threesome and A.T.M. stands for:

"At the moment
I'm doin' me
But it could go down if it's you and me
You could bring your girls
We could do the threes"

- Molly and Dro disregarded all logical barriers and let the chemistry/vibe lead them to cross the line when they start grinding to Juvenile's "Slow Motion"

There's no doubt this song is known as the game/mood changer, scheme level on 100 after this drop

- After the party Issa and crew go to eat at a late night spot and she ends up sitting between one firend who is getting fingered to her right and Molly to the left who is preoccupied with texting Dro

Stuck in the middle of the two, she makes eye contact with Daniel who happens to be there and eventually gets up to join him at his table as Sean Leon's "Matthew in the Middle" plays and closes the scene

This song is reflective of being caught on both sides of the fence, a clear reference to the authentic bond between Daniel and Issa yet the conflict in her past relationship with Lawrence

"It's a long long
Long long
Journey to the middle
Welcome to the middle, yeah" 

- The tables turn a little bit as Issa practically totals her car, Molly ends up sleeping with Dro, and Lawrence stumbles upon a pic of Issa and Daniel on Facebook

- Jazmine Sullivan & Bryson Tiller's "Insecure" play as Lawrence finds himself stalking Issa on Facebook and eventually blocking her

After seeing that photo of her and Daniel, ol' boy was sure to feel some type of way

The song title says it all

- Molly is disappointed when she finds out her Dad cheated on her mom

Dro comforts her, takes her home, etc... they end up passionately smashing as Nick Hakim's "Needy Bees" plays

Whether it was the best idea or not, Molly got exactly what she was longing for

"Needy bee
Whispers softly
Tell me what you need
I'll come inside of you
I'll live inside of you to find what you're looking for"

 

Nothing too significant about this episode besides the fact that Daniel cums in Issa's eye and the side chick guilt starts to kick in for Molly

- The last scene closes with Extreme Music's "No Love" 

She felt hella disrespected after the eye mishap and now she is feeling defeated

Hoetation FAIL

"You've been wondering
If there's a hero near
He ain't comin
Cause there ain't no love around here"

Molly and Issa can't get NO LOVE :(

Derek's birthday dinner gets messy af when everyone is in the same room, tensions run high 

- Molly has sex with Dro in the bathroom (smMFh) and Kari Faux's "Lowkey" leads the scene

"Hold it down, baby
(Can you hold it down, can you hold it down?
Can you hold it down, keep it on the low?)
Ain't nobody gotta know"

- Issa has a breakdown after the argument with Lawrence where he calls her a hoe and Kelela's "Frontline" closes E7

This beautiful song happens to be about leaving behind someone who was holding you back, and not knowing how to apologize

 

2 out of the 3 main characters take deep Ls

- Childish Major's "Supply Luh" plays as Lawrence walks up to he and Issa's old apartment

To me this song is about a broken relationship where one party lost energy due to another's lack in love and support in them when they needed it most = Lawrence & Issa

"But I'm supposed to be yours
Good God why can't I supply
Luh" Issa

"And I, used to love youcyclee
Love you, love you, love you like you never been there before
Now it's just fuck you
Fuck you fuck me like I ain't fucked up enough" Lawrence

- Molly, Lawrence, and Issa's stories come full circle to close the season

Molly back on her Dro shit (L)

Issa ends up moving in with Daniel (L)

Lawrence gives Issa some closure and moves on with his life but he adds her back on Facebook (W)

- Frank Ocean's "Biking" was the perfect song to end this season given its "cycle" metaphor

"What goes around comes around"

Also, Jay Z, Frank, and Tyler each tell unique yet cohesive stories that all relate back to the biking analogy... similar to the trio structure of this episode  

 

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